“The emotional, sexual, and psychological stereotyping of females begins when the doctor says: "It's a girl.” - Shirley Chisholm
Driving
to work this morning listening to the radio I heard a disquieting discussion
between the breakfast hosts. I am the
last one to take things too seriously – anyone who knows me can attest to
that. But this really pissed me off.
It
was a discussion about hot actors who had “let themselves go”. I've always thought “hot” to be a distinctly
relative term, and don’t even get me started on the definition of letting
oneself go. However I’m not here to
argue semantics. My day started with
Kathleen Turner:
“I think she’s the spokesperson
now for Winnie Blue. And Bakewell pies.”
“Spokesperson!? I think she’s the taster for Bakewell pies”
“Have you seen her lately?”
“I think her last role she was
playing a bloke.” Then Carrie Fisher:
“I finally watched the original
Star Wars movies.”
“See what we mean?”
“Yep – saw her in the gold
bikini – I DO see what you mean...”
And
then Brenda Vacarro:
“Yeah, she’s another one.”
“What’s that film she was in
where she was hot?”
What
irritates the shit out of me is this expectation that women will remain preternaturally
attractive despite age and all of the accoutrements which naturally accompany
aging. The things which are forgiven if
one is male – weight gain, wrinkles, thinning skin, grey hair. To name but a few. That aging in women is seen as an ugly
failure, rather than a rite of passage indicative of a lifetime of experience
and enviable wisdom. All of the women
mentioned on the radio this morning, and in this Blog, are beautiful. And guess what? – Marlon never came up
once...
“Lines trace
her thought and radiate from the corners of her eyes as she smiles. You could
call the lines a network of 'serious lesions' or you could see that in a
precise calligraphy, thought has etched marks of concentration between her
brows, and drawn across her forehead the horizontal creases of surprise,
delight, compassion and good talk. A lifetime of kissing, of speaking and
weeping, shows expressively around a mouth scored like a leaf in motion. The
skin loosens on her face and throat, giving her features a setting of sensual
dignity; her features grow stronger as she does. She has looked around in her
life and it shows. When gray and white reflect in her hair, you could call it a
dirty secret or you could call it silver or moonlight. Her body fills into
itself, taking on gravity like a bather breasting water, growing generous with
the rest of her. The darkening under her eyes, the weight of her lids, their
minute cross-hatching, reveal that what she has been part of has left in her
its complexity and richness. She is darker, stronger, looser, tougher, sexier.
The maturing of a woman who has continued to grow is a beautiful thing to
behold.”
- - Naomi Wolf, The Beauty Myth: How Images of Beauty are
Used Against Women
Inteeresting thoughts
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